Are sounds more interesting than devastations? Where does feeling lie, where’s the trapdoor? Wily, wily, wily, Mr. Coyote, let me in. Mr. Desert, let me bring my withered limbs. Just bleach my bones after you nibble on my skin. Irradiated or non-irradiated, genetically engineered in a most horrendous tribal fashion, I am here now, yet a remnant, a recessive gene, a regression sans vitality, a lack of luck, a loss. And here I am considering the withering of my death. Listening to this particular rain in its accumulation, the sump pump hums and gurgles, the train whistles, New York-bound.

march 14, 2007

Unashamed evaluation. Here in Starbucks, tears behind my eyes unreasonable. Feel pressure to make phone calls—Kristin, Lorna, Margaret, and I don’t want to do it. Feel the competition of Stamford, everyone is out. Feel a freaky drama starting in the house, so tied down, so unhappy, so oppressed, so much by what who knows the lack of private time, the restriction on my inner life my meditation my suffering over inability to recharge? Yes, I am an aging Ipod mini battery so

Thirsty and so suffering—it’s been coming up for hours, weeks, and months—I put it down (PUT IT DOWN) you see and there it is again this vagueness this unease the only solution that I want

Luckily no tears—K stopped by to say hi—my friend—oh well.

Next day at work, Linda, who likes to try to be my guardian angel, asks innocently—how was my drive home last night—I stare at her for moments, at an utter loss for inspiration as far as what to say—I don’t even know if my own mind how to say how my drive home has been or if I’ve even reached home yet or ever will and can’t begin to explain why I’m driven to do things like tour New York City in a car one-handed delivering warm clothing and unwanted poetry on thankless nights where no one’s looking almost not listening no stars no shining and no stop for meals. Lisa offers to go get some negra modelo, me and Josh say yes. He has a new job, he’s a kid, he’s going to work for Wiley in Hoboken, just starting out, I say Good night Good luck we walk off in opposite directions.

Next semester—Finnegan’s Wake, Gertrude Stein, and the Cantos, oh my god, I want to take that, I can’t help it, I can’t justify it, there is no explanation, but I’ve been broken down sufficiently okay it’s insane okay I’ll cooperate I don’t believe in vengeful angels but I’ve sustained enough damage from the New York School and San Francisco Renaissance that I dare not tread toward giants of literature like that. No I won’t be jounced by Joyce, stunned by Stein, or pounded on by Ezra anymore it’s over I’ll stay here in bed contented with my diary and my jottings, what intact bones are left, sipping supplemental vitamins and breath, applying gratitude medicinally and daring any New York angel poet student policeman to come find me here in this suburban garden of post post post avant avant fragmentariantude.

So there.