March

01 Asparagus
02 The Yellow Envelope
03 A Dark & Stormy Night
04 A plan
05 Steinophilia
06 Sacred Cows
07 Notes on Fragility
08 Signs of Sarasvati
09 Dreamwork
10 Daft and dewey-eyed
11 Language
12 Smudgenotes
13 Merton on rain
14 Skirmishes
15 True Life Camping Stories
16 "a firm seat in a pure place"
17 The conditions of a solitary bird are five
18 The day of the incredible child
19 Something simple
20 The branch
21 Grim and plodding
22 She can, she can't
23 Poemwork
24 Straightforward for a change
25 Reasons for optimism
26 Hymn to the Divine Mother
27 "Poetry is not a Luxury"
28 Ungrounded
Flowers

Home


March 1,

Asparagus

I really didn't want to do yellow, and here I am doing yellow. Why oh why? It was the yellow crocuses. They got to me. I've been seeing them before my eyes all day.

I really don't want to write about asparagus. But that's all I can think of! Asparagus stalks, chopped for dinner and added to the mess of scrambled eggs and turkey sausage. I see asparagus stalks flying around the kitchen like a new wallpaper design. I taste their bitter part-crunch and their little bit of pale greenish juice. Asparagus fingers are reaching up through the ground, bony with unfed early spring.

I really didn't want to focus on Older One's court date. He has to go March 3. But I felt so much anxiety about it today, after postponing my anxiety all last week because of my class, that I called the lawyer, playing the part of the concerned Mom. Older One had already contacted him, it's mostly a bureaucratic mix-up, and everything will be fine (stalks crossed). I am so proud.

I forgot to mention I had a perfect mango for dinner.

I forgot to mention I read poetry before dinner.

I forgot to mention I ran out to the library tonight after dinner. The white marble steps to the front door were inviting my winged feet to land, although they were treacherously slick with drizzle.

I was looking for signs of insanity among the older, more dusty philosophers and I might, just might, have found some.

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March 2,

The Yellow Envelope

 Today was the day I've been waiting for. Anticlimax day. Yellow envelope day. Bonus day. Don's office day. Right after lunch. Polite as all get out.

This is a long and complicated financial story and I don't want to tell it. Suffice it to say that another piece of freedom fell into place. I heard some old old voices of grunging competitiveness and resentment, but they were falling away as echoes in a dark dark well. And later, an unexpected call from my friend Alice made it seem possible that everything might actually fall into place.

I rather enjoyed thinking that Don could have been worrying about my tendency to be an unpredictable sorehead. I could easily have been upset by the amount, which was way lower than the past two years, and lower than would have been calculated with the old formula. But I just smiled and said "great" and asked a few general and intelligent questions about protocol.

Later I thought I should have said "it seems unfortunate to me that the company offers incentives to people to spend less time with their families." His examples of Top Performers were those who spent half a year in Cologne away from home.

But the voice of that complaint is one that's falling away. See -- now I can hardly hear it.

At lunch time, I ran off to the town historical society to see an exhibit of the work of a self-taught local artist. Very very impressive. This man Remo Cipri was really an artist. He painted and painted and painted, using the undersides of the bureau drawers when he ran out of money for canvas. Lots of family portraits, mother, brother, wife, children. Touching inscriptions. Many of the works given to friends. Lots of trees. Local scenes. The plum tree in his back yard. Totem poles. Self portraits, including one astonishing portrait of recognition that he was more than a referee of neighborhood fights, that he was an artist. Very powerful. He died of Hodgkin's disease in 1981.

The most astonishing piece for me was a framed painter's rag on which the artist had manifested two doves with a couple of extra strokes of paint.

The artist's sister, Gloria, happened to be at the exhibit. She pronounced his name "Ray - mo." We talked. She asked my name, told me many stories of her brother, and touched my arm with the overflow of her love. She described the doves as "iridescent." She thanked me for coming.

So Remo and Gloria, angels, were in my mind, saving me from myself in Don's office. I would rather live in an excess of fullhearted love for art than weigh the fatness of a yellow envelope any day.

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March 3,

A Dark & Stormy Night

There are no stories today. There is only wind. Wind whistling and howling around the house. Branches scrape the window. There was pelting rain, thunder and lightning, darkest gray skies before dark. It was a ferocious storm. This is non-intuitive weather.

No stories. Only blustering wind. Wind and the Universal Night Door. I meant to write about it last week. There was a business called "Universal" down the hall from the training room. A closed door was marked with a sign, in bad Black Letter calligraphy:

Universal
Night
Door

I didn't go through it. I couldn't. It wasn't night when I was there. Who knows what I might have found on the other side. I can only imagine.

Today I climbed through multiple Windows of Unholy Obscurity (programming), and dropped seven storeys to the ground each time, breaking my bones. Then, a miracle, I walked, of my own free will, through the Door to the Eternal Waiting Room of the Damned (Motor Vehicles Department), where service was provided by humanoids with only vestigial reptile brains and cleft claws. Another miracle, I was set free when they called my Number, 629, only to go home, where I had to descend into the Basement of the Foulest Stench of Cats with the laundry. It has been one torment after another.

Wind. Storms. The Universal Night Door up in my room draws me.

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March 4,

A plan

I'm speechless.

No, I'm having a fit of misplaced loyalty. No, I'm having a fit of terror that is making my ovaries want to drop out of my pelvis.

No, I'm taking a cup of tea to calm myself, and talking to my sister on the phone.

I'm taking care of the kids, letting Older One borrow my portable CD player for inventory tonight at the bookstore, making Younger One do some extra reading, then tucking him in under the fluffy comforter.

I'm finishing up my graphic design project, giant blue hands in the corners framing yellow letters on a red background, advertising the student art and architecture show.

Around 12:30 pm today a possible short-term future fell into place with a startling and definitive clarity. Give notice at my job on or around March 17th, with March 31 being my last day. Take a couple of weeks off to clean house and generally get my life organized. Then take an eleven-week class in computer graphics and web design starting April 19th. Free lance during the summer to provide a little more income while fitting in lots of vacation (ha).

The plan has irresistible energy. But then again, I've developed a healthy respect for myself as an immoveable object.

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March 5,

Steinophilia

How am I going to write about this?

Straight and narrow narrative:
I ducked into the bookstore tonight looking for new Lispectors. There was a very loud three-piece band playing. I didn't find a Lispector that demanded to be bought, so I wandered over to the poetry section. Gertrude Stein's Lifting Belly caught my eye (black and white cover, with chartreuse, it worked). I got caught up in the introduction. (I have a bad habit of wanting to read writing about writing instead of reading writing. Hhhmmm.) I found a quote there from Gertrude's The Geographical History of Americans: "I am I because my little dog at home knows me."

Hysterical overtones:
I can't believe Gertrude Stein and I are quoting the same nursery rhymes. What can it possibly mean? It is the height of wicked wicked arrogance to even think that I have anything remotely in common with her. I'm not like her. I don't even like her! I feel like she's invading my privacy. Stop looking at me! She's making me very uncomfortable. For one thing, she is just too damn demanding. She would laugh at all those other earnest poets on the shelf with her. She would laugh at me for putting up with the bullshit I do. Try to imagine Gertrude Stein chained in a cubicle trying to code powerbuilder. It makes me want to scream.

Philosophical pondering:
Who am I? Who is the little dog? Who knows me? I have a real little dog, white with brown spots. He knows me pretty well, except when I try to cut his toenails. But the realer little dog might be this journal. It feels like the realest knower of me there is right now. Unfortunately, I think the statement could also be turned around. It's the little puppies I have for co-workers that no me. You are known by the company you keep. Therefore, who am I?

Emotional truths:
Gertrude Stein and I quoted the same nursery rhyme. The impact of this very very small weird synchronicity sent me right home from the bookstore, fulfilled without buying anything. It's a very very small, simple, non-threatening invitation to claim her assistance. I envision putting her pictures up on my walls so I can look at her for inspiration. It's hard to be wussy when you are looking Gertrude Stein in the face. I fear that the little dog may have been partly Alice Toklas. I have no Alice equivalent. Am I therefore unknowable?

"Lauk a mercy on me!" wrapup:
Of course now that sing-songy nursery rhyme is coursing through my head even more constantly than it did before. Curses! "I've a little dog at home and he'll know me..."

The World of Gertrude Stein

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March 6,

Sacred Cows

There was a pack of judgments running around the room like wild dogs, yipping, barking, and howling.

I don't like judgment. I don't like competition.

I went inside to a weird place of shyness and obsession with my pencil and unconcerned ugliness.

Our next project is a cover design for a literary journal, Curious Rooms. We had a sample of the first issue in class. It was called "Smashing Icons." I read quite a lot of it and it was very entertaining. Poking fun at all the sacred cows. I love this stance of trickery and parody. It has a lot of energy (bad energy).

All the sample covers we looked at were bad. IMHO. The teacher's explanation was that these people were not "visual." This makes me unreasonably angry.

In my paper journal today, I discovered that I am apparently very pissed off about any number of things. After I realized this, I went and cleaned the upstairs bathroom, an action guaranteed to send me over the edge. I sprayed a mixture of noxious chemicals onto every porcelain surface, and then I couldn't even breathe to calm my fury.

I have an unshakeable belief that it should be someone else's job to clean the bathroom.

I have other sacred-cow beliefs that I've been examining today:

  • That I am not a unique individual, with a personal set of circumstances;
  • that I can't trust my intuition or make decisions on my own;
  • that I have no right to a private agenda;
  • that the highest good is endurance;
  • that everyone should be "visual."

Too bad I can't spray noxious chemicals at these beliefs and dissolve them as easily as soap scum. It may take some abrasive scrubbing.

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March 7,

Notes on Fragility

Fragile.

I'm afraid of the cold wind.

My fears are small but they are as many as cilia, waving their short strands actively and constantly.

I read Phyllis Curott's Book of Shadows today. I might read it over again for the parts I want to copy out.

I need to understand purification.

Frailty.

Fragility is not on my chart.

What if I admitted that I am so fragile, as fragile as thin ice?

Maybe I'm not fragile, maybe I'm brittle.

Easily cracked, either way.

Ice lace.

How many undo's should I specify?

A large man was lying on the floor in the grocery story today. I tried not to stare.

I was trying to pretend to be thrifty.

It's dangerously cold.

Threatened.

Chiffon is not fragile. Light bulbs are.

Crocus bulbs are not, in their comfort of dirt.

My heavy black bowls have white chips in their rims.

The silverware is very vigorous.

End of day.

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March 8,

Signs of Sarasvati

I did an awful lot of work today. I can't even remember all the work I did. I'm feeling unstuck and obscenely optimistic.

They are selling a statue of Saraswati, antiqued bronze, 8" high, $225. Here's the blurb:

Holding and playing the vina, Saraswati encourages you into your art and your education. This Hindu goddess of education and learning is deeply loved and worshipped in the universities, schools, and libraries in all parts of India. She represents reasoning in all aspects -- from dance to philosophical systems. Let Saraswati inspire the cultural side of you. Let her be your muse. ...

Sacred & Folk

Saraswati, or Sarasvati as I usually write it, sounds so wonderful. I don't have a feel for her personality though. I'm not going to buy a $225 statue, much as I would like to have it. I would like to read some of her words. I am invoking her, but she is coming very very slowly. Only one reference in the Sourcebook of Indian Philosophy's index, in a passage from the Vedas:

May Sarasvati, auspicious, grant felicity.
May the Wind waft to us that pleasant medicine, may Earth our Mother give it, and our Father Heaven,
And the joy-giving stones that press the
soma's juice.
As´vins, may ye, for whom our spirits long, hear this.

She is identified in a footnote here as "River-goddess, goddess of eloquence and sacred poetry."

Sarasvati probably wants me to go to the library and look her up.

The rivers around here are all sluggish and mucky.

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March 9,

Dreamwork

Dreamwork is surrounded by resistances. This often causes some kind of aversion to the work. Try to feel the resistances as deeply as you can. They may express themselves as repulsion, boredom, the feeling of being involved in something utterly insignificant, or the feeling of being ridiculous. Don't try to fight these resistances; just observe them. Give them as much space as they want. Learning to sense resistances is much more important than eliminating them.

Two nights ago:

Babyshit. I had a baby on my lap in a public place like a mall. I felt the baby exert itself to excrete, then noticed the runny yellow shit had escaped the diaper and was all up the baby's back. I wrapped the baby in a blanket and went to change it. I got distracted by a coffee shop and its chatty red-haired proprietress. By this time, the baby was small and in a paper bag which was oozing a little. I set the paper bag on the counter in the coffee shop, hoping it wouldn't soil the counter too badly.

A period of stench, disintegration, repulsion, and depression is often our first acquaintance with the life going on in the background of the state we call "consciousness." Thus it is not astonishing that we try to make this dingy world accessible through the use of disinfected words like "the unconscious." This terminology is a dead giveaway of the profound desire of the foreground world not to have anything to do with the world of the background.

Last night:

Less clearly, a dream of bringing groceries home. In the back of the car, all the groceries were spilling out of their bags. I heard rustling and crashing noises as I went around corners. A gallon of milk and a gallon of red fruit punch had ruptured. I was unconcerned, oh well, these things happen; I was trying to sop up the flood with newspapers.

According to alchemy the nigredo is the initial phase of every process in which a transformation of form takes place. First, things must rot thoroughly like garbage, before they can be reduced to the rubble of disconnected parts in which the creative power once again has free play. The alchemist says that everything in the beginning is bitter and rotten. Initial processes either lead to putrefaction or have their beginning in rot.

These quotes are from Robert Bosnak's A Little Course in Dreams, a book that's important to me. Most books I forget immediately; the ideas in this book have stuck with me for years. He describes "a central principle in dreamwork: that the training of the imagination is a discipline, just as important as the training of the mind."

Also: "Learning to see metaphorical forms in literal images is essential for dreamwork."

I could quote the whole book! It's really a book for poets. A poem is a waking dream.

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March 10,

Daft and dewey-eyed

Wow, that's interesting. I wrote half an entry, then tried to adjust the color spreading over the columns here, and wham, vaporized the text. Totally gonzo. No undo, no source, no nothing. Oh well, it wasn't a very good entry anyway. A lot of extremely tedious and overly anxious details about announcing I'm leaving my job tomorrow.

The process of coming to this decision about my job seems to entail a lot of use of the f-word, and its relatives, in my private journal only, of course. I refrain here since I don't curse in public. I wrote tonight and just let loose on everything I dislike about my job. I think I've been overemphasizing the official line, which is officially "it's just time for a change."

This song lyric came into my head of its own accord this morning:

"For the world is full of zanies and fools
Who don't believe in sensible rules
And don't believe what sensible people say
And because these daft and dewey eyed dopes
Keep building up impossible hopes
Impossible --- things are happening every day!"

I want to say Rodgers&Hammerstein? Anyway, the song is from Cinderella, a TV movie starring Lesley Anne Warren and Alan Quartermaine. I knew all the songs by heart when I was in high school.

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March 11,

Language

I did it.

I told my manager I was leaving my job.

I don't feel very elated. There's still an awfully cold wind blowing.

A lot of this is political. I have difficulty writing about politics. My emotions get in the way. I get at a loss for words. I've never been argumentative. I'm really very meek.

So why do I feel like my body has been taken over by Kali?

Anne Sexton wrote about being in the mental hospital:

...but then I found this girl (very crazy of course) (like me I guess) who talked language. What a relief! ... a while later, and quite a while, I found out that Martin talked language ... by the way, Kayo has never once understood one word of language. (Letters)

Diane Middlebrook explained:

By 'language,' Sexton seems to mean forms of speech in which meaning is condensed and indirect and where breaks and gaps demand as much interpretation as what is voiced. ...Being permitted to communicate in 'language' made her feel 'real' - unlike the speech transactions of family life, which made her feel doll-like. ("I Tapped My Own Head," in Coming to Light)

This journal has been coming closer to language for me. When I talk my own language, I get a counterweight to the languages of business, programming, wealth, conservatism. The counterweight got heavy enough that I was finally able to plan to leave. I "talked" my way out of it.

I have persistent thoughts about an entry which is all code words:

Sooby. Language. Little dog. Cold wind. My Kali. The river. Crossings in mist. No un-do's.

Would you be able to understand it?

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March 12,

Smudgenotes

Notes for the second Friday in April:

Bring Wallace Stevens's poems with a little bio

They asked for a copy of the Shantigar poems. I don't know about that. I might just conveniently forget about it.

Need a box, decorated. Need little mementoes, wrapped, tied with ribbon.

I'm supposed to have created a poetry publication by April 9?

I want to use the font Flexure for something.

I want to make a booklet with thin brown paper covers, like the flimsy protective brown paper bag you get in a copy store or a card store. Some of these bags are almost, almost translucent. How am I supposed to get this material? Steal it from the copy store? Ask them to sell me 100 paper bags? Go in there 100 times and make one copy each time?

Ann suggested 100 copies. Is she crazy? I think 25 at the MOST. I said 50. Numbered, 1 of 50, 2 of 50, ... I need a harder pencil.

I want to do something by hand on each copy. I don't think you can run brown paper through a copy machine. Remember -- NO color copies.

I see brown with purple and yellow -- smears? smudges?

I see ornate frames and borders, but askew. Printed faintly at funny angles to a poem.

I see handwriting. I see fingerprints. Copies of fingerprints.

One poem per page. Or less.

Title? Dirty Fingers Poetry? Smudgepots? The Voice in the Alley? Elfreth's? I don't like the word Alley. Bad Connotations:

As kids we scavenged a bag of chocolate cake mix out of the garbage in the alley behind my cousins' house. We ate the mix by licking our fingers and dipping them in chocolately powder, then licking again. We were proud to have found our own snack; we were a little pack of foragers, wild food finders, hunters and gatherers; and one of us bragged to my aunt. She of course freaked and told us the lady down the street threw out the mix because it had bugs in it and we were never to do that again.

This morning the dog jumped up on my desk while I was in the shower and neatly lapped up all the hot chocolate in my mug. Never, never do that again!

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March 13,

Merton on Rain

I picked up some books by Thomas Merton from the library. I was taking a big chance, I know. I can have a fit when I read about the Church. I can have a fit when I read non-inclusive language, his, him, men, God and man. I can easily have a fit of envy of Thomas Merton as a monk, hermit, and spiritual explorer. I carefully picked one of his later books, Raids on the Unspeakable, published by New Directions.

And I did find some writing that helped me. I reached out for it today when I was getting myself into trouble, first listening to some people trying to sell me magnetic health products, second going out to a concert and seeing all the people having more "fun" than I am. I just don't know if it's worth picking my way through his minefields.

Here's some of the writing that helped me. It's about the rain. (The first few sentences gave me a strong flashback to Virginia Woolf.)

Of course the festival of rain cannot be stopped, even in the city. The woman from the delicatessen scampers along the sidewalk with a newspaper over her head. The streets, suddenly washed, became transparent and alive, and the noise of traffic becomes a plashing of fountains. One would think that urban man in a rainstorm would have to take account of nature in its wetness and freshness, its baptism and its renewal. But the rain brings no renewal to the city, only to tomorrow's weather, and the glint of windows in tall buildings will then have nothing to do with the new sky. All "reality" will remain somewhere inside those walls, counting itself and selling itself with fantastically complex determination. Meanwhile the obsessed citizens plunge through the rain bearing the load of their obsessions, slightly more vulnerable than before, but still only barely aware of external realities. They do not see that the streets shine beautifully, that they themselves are walking on stars and water, that they are running in skies to catch a bus or a taxi, to shelter somewhere in the press of irritated humans, the faces of advertisements and the dim, cretinous sound of unidentified music. But they must know that there is wetness abroad. Perhaps they even feel it. I cannot say. Their complaints are mechanical and without spirit.

....

Can't I just be in the woods without any special reason? Just being in the woods, at night, in the cabin, is something too excellent to be justified or explained! It just is. There are always a few people who are in the woods at night, in the rain (because if there were not the world would have ended), and I am one of them. We are not having fun, we are not "having" anything, we are not "stretching our days," and if we had fun it would not be measured by hours. Though as a matter of fact that is what fun seems to be: a state of diffuse excitation that can be measured by the clock and "stretched" by an appliance.

There is no clock that can measure the speech of this rain that falls all night on the drowned and lonely forest.

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March 14,

Skirmishes

Sniping attacks and quandaries continue. Defenses are holding so far. Minor advances on some fronts, none on others. I am sitting on the flap of the envelope. I've removed my sticker. I have nothing to read.

"Let us be proud that we are not experts in anything."

Merton, "Message to Poets," in Raids on the Unspeakable

I wrote in my journal today. Part of it might have been a poem. It was full of blanks. The blanks were the subject of the poem. I didn't know how to take it. Truthfully, at first I was enthralled by it, taken captive. It sounded like a prayer. Then I switched sides and agreed with some pre-emptive strike critic in my brain that it was the most lightweight thing ever written. I'm relieved I've never claimed to be an expert in the unspeakable.

So I was swimming by myself in a pool of questionable invention, depth untested, trying to avoid any emotional reefs. This got very trying, so I went out for a walk. I went to the arboretum. It was very late winter there. Gray and brown. The bamboo grove was full, fresh, and green. I marvelled at it. Then I examined the clumps of snowdrops. I want to have the attitude of the snowdrop. I want to live in the bamboo grove.

About 8pm I joined battle in a different theater and started doing my taxes. Of course I didn't have quite a few key forms and figures so I didn't make much progress. But I'm amazed I started them at all.

R&R: Then I watched the X-Files and enjoyed watching Mulder dance around in his underwear. The thing about the X-Files is the male lead appears half-clothed MUCH more frequently than the female lead. You've gotta love that.

Rations: We still have cake and ice cream in the house from Older One's birthday. No one in this house really likes to eat cake and ice cream. There's no explanation for it. I'm going to go force myself to eat some ice cream. The cake will have to be thrown out.

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March 15,

True Life Camping Stories

It's quite a bright energy. One of those hissing white-light camping lanterns, placed inside a small cave in the shelter, sucking oxygen. I am not allowing dampening incidents. Even the heavy white snow which fell from trees and roofs in clumps this morning -- no match for my hisssssssssing light. I vaporized most of it to steam immediately.

Fuel of resentments. It's good to watch them kindle and flare. I hope most of the biggest ones will be turned into ashes. I wouldn't mind sitting around the campfire pouring water on the remnants of red glow and stirring the ashes of old resentments into a mucky mud.

I will be goddamn personal here. (uh oh it's starting) I don't care. I don't want that considered voice. I don't want to know what I'm talking about. I don't want to write something universal -- what kind of bright sky hell is that anyway? I don't want to leach out the lazy, trite, shallow, spoiled, arrogant streaks in my raw ore. I just want to sit there, right on the picnic table, a big ugly rock full of pitchblende and quartz, some mica, boring feldspar, stained with impurities.

What is Good anyway? The view? Sunset? Mists in the hills? The stars? I am not so sure that Good is good when it comes to nighttime.

Nighttime when the guys at the next campsite roar and fight and break glass. Nighttime when a bunch of people tip over some old drunk guy inside a PortaPotty and I worry as hard as I can about PortaPotty chemicals streaming downhill and destroying my tent. Nighttime when the wind and rain blow up so hard and I have to go to the bathroom so bad, I finally just get up and and go pee behind the van instead of going as far as the facilities. When my sister and I smoke Players in a storm lull before going to bed, then punch the sagging ceiling of the screen tent, making the puddles up there explode and cascade over the sides, while I scream with laughter and excitement from the wind and water. Later, when I have to get up in a hurricane and go outside and take down the fucking wind chimes, after listening to their crazed version of night music for seeming hours while I'm worrying about whether my weight is enough to keep the tent from blowing into the bay because I was too lazy to stake it down. Nighttime when even the dog is having a nightmare and making muffled howls in his sleep. What's so good about this?

~~~~~~~~~~~

(Okay, now I feel much better. I didn't realize I was going to write true life camping stories when I sat down here tonight. You'll notice it's not going anywhere because it's just goddamn personal anyway.)

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March 16,

" a firm seat in a pure place"

I came home from work today, feeling overly sympathetic to coworkers who remain behind to struggle without my vast knowledge, and shaken from breaking the "bad news" to them, and wondering how I could be so cruel to do this to them. I opened up The Bhagavad-Gita at random to distract me and read this:

Self-contented in knowledge and judgment,
his senses subdued, on the summit of existence,
impartial to clay, stone, or gold,
the man of discipline is disciplined.

He is set apart by his disinterest
toward comrades, allies, enemies,
neutrals, nonpartisans, foes, friends,
good and even evil men.

A man of discipline should always
discipline himself, remain in seclusion,
isolated, his thought and self well controlled,
without possessions or hope.

He should fix for himself
a firm seat in a pure place
neither too high nor too low,
covered in cloth, deerskin, or grass.

He should focus his mind and restrain
the activity of his thought and senses;
sitting on that seat, he should practice
discipline for the purification of the self.

There couldn't be a more appropriate message to adjust my emotional state. I wasn't even bothered by the non-inclusive language. A very helpful passage.

And I'm reading the autobiography of Hayden Carruth, Reluctantly. (It's called Reluctantly, I'm not reading it reluctantly.) It's also helpful, in that he is so much himself and nobody else:

Certainly I have never been part of any literary group. The possibility of being where I am -- wherever, however, whenever -- a single eye, an autochthonous imagination, full of sympathy but apart, apart even from myself -- is what I always wanted to demonstrate to myself. Where I am is the cosmic individual. Nothing grand, nothing romantic. A duck blown out to sea and still squawking.

The only problem with the Hayden Carruth book is that I'm a little afraid I'll catch a mental illness from reading it. It's not a very firm seat.

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March 17,

The Conditions of a Solitary Bird are Five

The conditions of a solitary bird are five:
the first, that it flies to the highest point;
the second, that it does not suffer for company, not even of its own kind;
the third, that it aims its beak to the skies;
the fourth, that it does not have a definite color;
the fifth, that it sings very softly.

San Juan de la Cruz,
Dichas de Luz y Amor

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March 18,

The Day of the Incredible Child

(Bright snarl of yarn, all colors, textures, metallic silver and gold strands, fine gray angora threads, fuzzy purple chenille, babysoft ombre pink and blue ...

I have to try to unravel it here so kitten-mind won't bat it around in the empty attic all night ...)

A Talking Day, with many revelations.

A friend who has come back from the abyss. Not from the edge of the abyss, from within the abyss. I haven't called her for months; inexcusably, I couldn't bear her trials with her. I called her today. Things are looking up.

A co-worker calls. Her husband wanted something else out of life. I asked what. She said he's become a carpenter. He works 3 days a week. And she's pregnant again. With her first, she had to stay in bed for months and probably will have to do the same with the second.

I visit a former co-worker's home for lunch. She made me chicken. Her daughter has amazing blue eyes and uses three binkies, one for sucking and two for holding. I vented all my gossip, my issues, my loneliness; we talked about the old days when we were a team. Her concerns now: she had to start letting her daughter cry herself to sleep (I don't believe in this, but I don't argue with them -- yet). She wonders what to do when the kids in the play group grab her daughter's toys away.

Another co-worker calls. Voice shaking with the possibility of change as his department crumbles. Unsure if his job will exist. Severance? Or an unacceptable reassignment? I tell him I'm leaving. I sound nonchalant and brave. I talk about taking my destiny into my own hands. We exchange e-mail addresses.

Open mike tonight. I see the bravery I don't have in every shy reader.

An old woman talks of curtseying to Eleanor Roosevelt and telling Amelia Earhart she too wanted to fly. She reads poetry about her Self from her seat because she can't walk anymore.

Young women. One, anorexic, dressed in silver, reads at length from Anne Frank's diary. I squirm, wanting instead to hear her own poetry.

A beautiful blond couple, both with hair past their shoulders. She reads him love poems for their anniversary. He reads about chocolate and dragons.

A dark man named ?Gauguin? He has just had a book published. He reads some charming poems about a train, and tea.

A row of pre-teen girls sit on the floor in front. I see myself in them, but I never got to attend something like this at their age. They seem to listen more attentively than I do, and the poets adopt a "family-friendly" policy. One poet apologizes to the row of girls after reading a line about "drowned children."

A surprise. A man I work with gets up to read, a man I've been treating like a half wit because of his slow manner, huge figure, and all-around strangeness. I never knew he was a poet. He says today is the Day of the Incredible Child and reads a poem he wrote to his daughter.

I'm more than stunned by all of this.

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March 19,

Something Simple

Is it possible to write something simple?

Something in squares? Stitched? Black and white?

Restful and warm?

Something undemanding?

Something nutritious, not sweet, no caffeine?

Silvery, fuzzy words like the heads of the pussy willows under the lowering morning clouds.

Gleaming dark brown words like the liquid pleading eyes of the dog.

White words veined in purple, the tapered oval whorls of the tender crocus.

I need something simple.

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March 20,

the branch

Once when I was a girl, about twelve years old, I hung from a tree branch for as long as I could and then just let go.


It was evening, summer, still light out. The family was outdoors in the yard. This tree was one we climbed often, just at the edge of our yard where it turned into brushy woods, full of blackberry vines and ticks. This edge was lined with rocks from a crumbling rock wall.

There was one long horizontal branch, not very large in diameter. The bark was smooth. I swung out along it hand over hand, facing away from the backyard, facing into the western sun. Then I just hung there enjoying the feeling of being suspended.

I hung too long. My hands started to ache and get wet. I knew I couldn't make it back to the tree the way I had come. I had to let go. I don't remember feeling scared.

I do remember scaring my dad. I was surprised that he had jumped up to -- what, come and catch me? Of course by then I had already fallen onto the rocks. I don't remember being hurt.

The most vivid part of this memory is the enjoyable stretched feeling of hanging there in the late sunlight.

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March 21,

Grim and Plodding

What a struggle with myself today, the first day of spring.

I worked on creative projects most of the afternoon and I had a severe attack of self-doubt. The only way I will finish these projects is through grim determination. Will it show?

And I felt sickening fear. It was good to take care of Younger One. I washed his sheets and put them back on his bed, fresh and warm. I tucked him in and put my hands on the sides of his face and kissed him.

It got cold again and started to rain.

I keep telling myself that I've been through so many transitions before, why am I not good at it by now?

  • 77 Go out west to work on the Colville reservation
  • 78 Go to California, get married
  • 80 Have a baby and realize I live among drug lords
  • 81 Go to Eugene to get MBA
  • 83 Get a consulting job "back East"
  • 85 Move to Atlanta, another consulting assignment
  • 88 Come back, consulting in Manhattan, have another baby
  • 89 The dad's rehab
  • 90 Divorce, leave consulting for corporate
  • 93 Buy a house
  • 95 Illness diagnosed, "mixed connective tissue disease"
  • 95 - 97 Adolescence from hell of Older One
  • Now

Every few years I've had occasions for sickening attacks of fear. After they're over, I forget I got through them, that I was preserved?, that I persevered with just dumb plodding stubbornness.

Which is one way to get through life, I guess. And why / how I keep writing this journal, at least that's how it feels today.

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March 22,

She Can, She Can't

I just want to associate with chandeliers, and candles, and incandescence.

Chandeliers that cast gray shadows.

Not iguanas, not programmers, not huge mistakes in the database. I don't know how to download the IMS tables through Eztrieve and then FTP them to the PC. I don't see why I should know. It's not fair for Pat to be gone and for me, who's going, to have to clean up her mistakes. I can't inject the Russian programmer with the history of two years of argumentation which produced an incredibly convoluted data model that is impossible to work with and understand. I can't even stand to look at the iguana's legs, let alone try to diagnose what's wrong with him, just thinking about him is making me nauseous.

Maybe I'm too sensitive.

I like the way the chandelier looks, although I don't think anyone else will. I haven't figured out how to get a nice gray wash shadow to fall from it. Maybe a cloth, or a sponge. This has to be done by Saturday.

Then, formatting the booklet. I'm unhappy with the title. I have no good ideas for the cover and no time to come up with any. I can lay out the insides, of that I'm confident, pick out the type, make it neat and organized, number the pages. That I can do.

Can I possibly finish that poem on demand? I would like to. I'm struggling with it. I'm not used to that. It will become forced, too tricky, partially wilted, not fresh and lovely. I could always include the "Two Birds" poem.

What else. Oh yeah, the taxes.

Today a friend talked of her anxiety being "lifted." I know this is possible. I'll keep it in mind.

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March 23,

Poemwork

Since I wanted to work on this and I wanted to write an entry, I combined them. It's coming along. But it's not done. Too choppy.



Here you are

Where a Tiffany blue box
of water and sky
opened to spill tons
of huge bijoux
along the highway

Here you navigate
dizzy on weekdays --
walk in emeralds
rise in matte metal
sit in plastered pearl.

Then a Sunday
when you fled
north to the arboretum
and discovery -- a new path
and Potter's Field shaved roughly

you stepped around the graves
marked with tiny cement squares
You stooped -- a silver spoon
sparkled in the dirt
a gift from one deceased.

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March 24,

Straightforward for a Change

Have I been making any sense at all?

I'm afraid I haven't. So much is disconnected, in flight, high strung.

Let's try to be straightforward for a change. Today I worked on some awful obscure problem deep in the never-never-land of legacy systems. Data is clearly and plainly being deleted, yet it won't go away, leaving a stubborn image of itself. I don't know any of the tools. I'm storing what they show me in the shortest of short term memory. I clearly could care less, but the co-workers seem to be expecting something of me. What? It's a weird and frustrating experience. I feel like Alice. (There's a fantasy story in here somewhere.)

When I get home, I work like a fiend. Taking care of the kids (Younger One, homework & Pioneer Days, Older One, chauffeuring). Finishing up the graphic design class project, a book cover with a chandelier that casts gray shadows. Putting together a poetry publication for Poem Alley, choosing fonts, finding clip art, arranging content, making a million tiny decisions, worrying about people's judgments of me, and trying to come up with a poem of my own I can include.

Meanwhile, I'm having some sort of philosophical, moral, aesthetic, ethical spasm brought on by Hayden Carruth, his autobiography, criticism, and poetry. I can't put it into words without a lot more work, but it is running back there like a snowmelt.

And I am having quite a lot of anxiety and insomnia about leaving my job. I am struggling, struggling, and struggling to find ways to deal with the anxiety. I am partly successful! The insomnia has me waking up before dawn every day. Last night I think I got four hours' sleep. I will not get up when I have insomnia. I just lie there stubbornly. I've thought about trying to write the journal at the crack of dawn. I don't like giving in to it. I just want to win and get back to sleep.

Today an email from the one person I will miss quite a lot from work. The only person there with whom there was any "chemistry." Mr. Silver Curls.We'll go out to lunch one more time. I'll feel like a shy 15-year-old and laugh and bluff my way through it. We'll talk about some personal things, his wife, my plans. Nothing will happen.

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March 25,

Reasons for Optimism

1. The iguana's leg problem is not a problem after all but a natural phenomenon having to do with femoral pores and pheromones. I guess it's the mating season for iguanas.

2. The first draft of the chapbook is done. It still needs a lot of work, but it looks reasonable. And I still have time to tinker with it, and deal with unforeseen crises.

3. People leave their jobs all the time. It's supposedly better to initiate change than to have it forced upon you.

4. The check for the school loan came today, much sooner than I expected. When I saw the envelope, I thought it was some extra paperwork that I hadn't completed. Instead -- actual money.

5. The dad has agreed to take the kids on his health insurance. Hip Hip Hooray.

6. The free fonts from Emerald City Fontwerks look great.

7. I have lots of friends.

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March 26,

Hymn to the Divine Mother

Craving Forgiveness

Alas, I do not know either the mystical word or the mystical diagram, nor do I know the songs of praise to thee, nor how to welcome thee, nor how to meditate on thee, ... nor how to inform thee of my distress. But this much I know, O Mother, that to take refuge in thee is to destroy all my miseries.

Quoted in China Galland, Longing for Darkness, p. 59

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March 27,

"Poetry is not a Luxury"*

I'm going to quote extensively from Audre Lorde. Words I need to hear.

As we learn to bear the intimacy of scrutiny and to flourish within it, as we learn to use the products of that scrutiny for power within our living, those fears which rule our lives and form our silences begin to lose their control over us.

For each of us as women, there is a dark place within, where hidden and growing our true spirit rises, 'beautiful/and tough as chestnut/stanchions against (y)our nightmare of weakness/"** and of impotence.

These places of possibility within ourselves are dark because they are ancient and hidden; they have survived and grown strong through that darkness. Within these deep places, each one of us holds an incredible reserve of creativity and power, of unexamined and unrecorded emotion and feeling. The woman's place of power within each of us is neither white nor surface; it is dark, it is ancient, and it is deep.

....

At this point in time, I believe that women carry within ourselves the possibility for fusion of these two approaches so necessary for survival, and we come closest to this combination in our poetry. I speak here of poetry as a revelatory distillation of experience, not the sterile word play that, too often, the white fathers distorted the word poetry to mean -- in order to cover a desperate wish for imagination without insight.

For women, then, poetry is not a luxury. It is a vital necessity of our existence. It forms the quality of the light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action. Poetry is the way we help give name to the nameless so it can be thought. The farthest horizons of our hopes and fears are cobbled by our poems, carved from the rock experiences of our daily lives.

And one more paragraph, from "Transformation of Silence"*:

We can learn to work and speak when we are afraid in the same way we have learned to work and speak when we are tired. For we have been socialized to respect fear more than our own needs for language and definition, and while we wait in silence for that final luxury of fearlessness, the weight of that silence will choke us.


*From
Sister Outsider, Essays and Speeches by Audre Lorde

**From "Black Mother Woman"

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March 28,

Ungrounded

I'm feeling disgustingly ungrounded. It's unnatural. Maybe I worked too hard on the taxes and paying the bills. I know I sat at the computer too long. Reading about poetry and mysticism and literary criticism could not have been good for me. I didn't eat lunch. I went to church. I went to a congregational meeting and felt out of touch. I tried to make a phone call to Nat but she was away in Yakima. I started to engage in confusion about the NATO bombings.

So at about 5pm I did some laundry. I made some food. Great big artichokes. (I overcooked them though.) I fried up the rest of the leftover potatoes and ham. I ate that and drank a glass of orange juice. It helped. Simple chores and food.

Then I wanted to watch some TV. The Simpsons and Futurama. I immediately got disgusted by two commercial themes that I detest:

  • How SUVs enable people to reach really really remote places in nature
  • Animation of animals (in this case fish) to make them seem to be mouthing the names of products

I dozed off. I was hungry and tired.

Wicca is the only religious tradition I am aware of that deals with the need for "grounding." Eating is supposed to help a lot. Phyllis Curott's Book of Shadows has a beautiful story of grounding. I looked in Z. Budapest's book but I couldn't find anything quickly. I don't want to do research right now. I'm just happy that women can be so practical. I wish women could do something about those violent, abusive commercials. And then solve war.

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