{"id":1586,"date":"2010-07-29T12:35:17","date_gmt":"2010-07-29T19:35:17","guid":{"rendered":"https:\/\/gemtactics.net\/wordpress\/?p=1586"},"modified":"2010-08-03T06:47:24","modified_gmt":"2010-08-03T13:47:24","slug":"without-fear-of-appearing-foolish","status":"publish","type":"post","link":"https:\/\/www.gemtactics.net\/wordpress\/2010\/07\/without-fear-of-appearing-foolish\/","title":{"rendered":"without fear of appearing foolish"},"content":{"rendered":"<p>Dance is not a familiar art form to me. But I found myself on Deborah Hay&#8217;s website where I ran across these statements. I like to try to apply them to poetics, whether performed or on the page. (Is lying there on the page a type of performance?) <\/p>\n<p><a href=\"http:\/\/www.deborahhay.com\/spcp.html\" target=\"_blank\">The Aesthetic Preferences and Artistic Orientation of the Performer in the Solo Commissioning Project Conceived by Deborah Hay (1998)<\/a><\/p>\n<blockquote><p>_Your ability to laugh at your serious intentions at any given moment is a tool you like to remember to use.<\/p>\n<p>_You have explored &#8220;self-expression&#8221; and found it limiting as a means to create performance continuity.<\/p>\n<p>_You are drawn to explore movement in all its variety &#8211; either through a cultivated or ingrained absence of discrimination.<\/p>\n<p>_You are not content with partial practice.<\/p>\n<p>_You want your process to be continually challenged.<\/p>\n<p>_Your respect for the intelligence of your whole body is unqualified.<\/p>\n<p>_In performance, your non-attachment to professional training in dance or techniques in acting is a source of on-going insight, and delight.<\/p>\n<p>_You are without fear of appearing foolish in your capacity to violate form in order to recognize where and why it exists.<\/p>\n<p>_Integral to your experience of performance is an inclusive regard for the presence of your audience.<\/p>\n<p>_You are becoming or already are skilled at monitoring your own performance.<\/p>\n<p>What this means is you have developed a capacity to witness yourself from more than one perspective at once, not as a judge but a guide in the practice of attention.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Dance is not a familiar art form to me. But I found myself on Deborah Hay&#8217;s website where I ran across these statements. I like to try to apply them to poetics, whether performed&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1586","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.gemtactics.net\/wordpress\/wp-json\/wp\/v2\/posts\/1586","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gemtactics.net\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gemtactics.net\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gemtactics.net\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gemtactics.net\/wordpress\/wp-json\/wp\/v2\/comments?post=1586"}],"version-history":[{"count":6,"href":"https:\/\/www.gemtactics.net\/wordpress\/wp-json\/wp\/v2\/posts\/1586\/revisions"}],"predecessor-version":[{"id":1602,"href":"https:\/\/www.gemtactics.net\/wordpress\/wp-json\/wp\/v2\/posts\/1586\/revisions\/1602"}],"wp:attachment":[{"href":"https:\/\/www.gemtactics.net\/wordpress\/wp-json\/wp\/v2\/media?parent=1586"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gemtactics.net\/wordpress\/wp-json\/wp\/v2\/categories?post=1586"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gemtactics.net\/wordpress\/wp-json\/wp\/v2\/tags?post=1586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}